After 10 years and 10 print issues, Der Greif has decided to explore new territories and to change its appearance. In our future issues, we invite guest editors to work with the same concepts of de- and recontextualizing single images through their individual working methods. Issue 11 has been guest-edited by Jason Fulford.
For issue 12 we are thrilled to be hosting Adam Broomberg and Oliver Chanarin to guest-edit the issue. They have set the following framework for submissions: Broomberg & Chanarin want to see photographic images that are too private, too quiet, too violent, too political, too subversive or too explicit to share online. Images that should never belong to facebook, instagram and others.
After over a decade of serving the international photography community Der Greif is now finally a registered non-profit. We believe this organizational structure best reflects our artistic and cultural mission. As always, your artistic contribution makes our work on Der Greif possible.
This year we are asking you to consider making a financial contribution as well. That’s why we’re suggesting a voluntary donation of 12 € as a submission fee. 100% of the funds we collect from your donations will go towards helping us produce issue 12, and thus expand Der Greif.
We believe in inclusivity. We don’t want this suggested donation to stand in the way of your submission. If you are unable to contribute financially, please send an email to firstname.lastname@example.org to receive a voucher code which will allow you to enter for free.
Thank you so much!
1 to 5 images per submission
File type must be JPG
At least 3000px on the long edge
Image date (year)
Adam Broomberg (born 1970, Johannesburg, South Africa) and Oliver Chanarin (born 1971, London, UK) are artists living and working between London and Berlin. They are professors of photography at the Hochschule für bildende Künste (HFBK) in Hamburg and teach on the MA Photography & Society programme at The Royal Academy of Art (KABK), The Hague which they co-designed. Together they have had numerous solo exhibitions most recently at The Centre Georges Pompidou (2018) and the Hasselblad Center (2017). Their participation in international group shows include the Yokohama Trienniale (2017), Documenta, Kassel (2017), The British Art Show 8 (2015-2017), Conflict, Time, Photography at Tate Modern (2015); Shanghai Biennale (2014); Museum of Modern Art, New York (2014); Tate Britain (2014), and the Gwanju Biennale (2012). Their work is held in major public and private collections including Pompidou, Tate, MoMA, Yale, Stedelijk, V&A, the Art Gallery of Ontario, Cleveland Museum of Art, and Baltimore Museum of Art.
DER GREIF is an award-winning organisation for contemporary photography. As a print publication, international online platform, and as a curatorial team, DER GREIF’s aim is to facilitate and help shape dialogues between image-makers and the images themselves. The artistic core and root of the project is our annual, ad-free print publication. The website is an exhibition-, communication-, and information platform for participants and anyone interested in contemporary photography. DER GREIF connects the digital (global) and the analogue (local), exploring and expanding the borders and limitations of image distribution and reception in a digital era. All DER GREIF projects connect virtual, physical and / or printed spaces.